Sunday, December 3, 2017, 7:30pm
Los Angeles Filmforum presents
Ism, Ism, Ism: Altered Surfaces
At the Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd, Los Angeles, CA 90028
INFO: www.lafilmforum.org, 323-377-7238
Abstraction has been a recurring strategy in Latin American visual cultures since long before the European Conquest. Over the past century, and often in dialogue with artists elsewhere, Latin Americans working in diverse media have explored both abstraction, or in the case the Concrete art movement, who rejected the term “abstract” art as too suggestive of a link to a figurative realm that is being abstracted, “pure” explorations of color and form. Not surprisingly, filmmakers have participated actively in this process of exploration, often in collaboration with artists from other media. Enrique Pineda Barnet’s Cosmorama (1964) uses the kinetic sculptures of the Romanian-Cuban artist Sandú Darié Laver as a point of departure, much like the way Luís Ernesto Arocha’s AZILEF (1971) draws on the process of Colombian sculptor Feliza Bursztyn. Other filmmakers proceed from urban and architectural references, such as Prague’s public transit system in Azucena Losana’s At Your Heels (2017), or the Cathedral of Notre-Dame in Teo Hernández’ Nuestra señora de Paris (1981-1982), and render these in ways that cross back and forth between abstraction and recognizable representations, while still others reference the altered sensory perceptions and exaggerated color palettes of psychedelic experiences. Together, like the diverse approaches of the concrete, neo-concrete, geometric abstraction, “grupo Madí,” “grupo Ruptura,” and other movements in the visual arts, these filmmakers pursue colors, light, shadows, and forms as the basis for their work.
Tickets: $10 general; $6 for students/seniors; free for Filmforum members. Available in advance from Brown Paper Tickets at https://alteredsurfaces.bpt.me or at the door.
For more information: 323-377-7238 or www.lafilmforum.org
Placeres de la Carne
Horacio Valleregio,1977, 12 min, Super 8, color, sound, Argentina.
Luís Ernesto Arocha, 1971, 8 min., 16mm, b/w, sound, Colombia.
At your heels
Azucena Losana, 2017, 2:36 min, 16mm, color, sound, Argentina/República Checa.
Nuestra señora de Paris
Teo Hernández, 1981-1982, 22 min., 16mm, 18 fps, color, sound, France.
Enrique Pineda Barnet, 1964, 5 min., 35mm film transferred to digital, color, sound, Cuba
Manuel DeLanda, 2017, 3.30 min, color, sound, USA.
As without so within
Manuela de Laborde, 2016, 25 min, 16mm, color, sound, Mexico/USA/United Kingdom.
Total running time: 78 min.
This screening is part of Los Angeles Filmforum’s screening series Ism, Ism, Ism: Experimental Cinema in Latin America (Ismo, Ismo, Ismo: Cine experimental en América Latina). Ism, Ism, Ism is an unprecedented, five-month film series—the first in the U.S.—that surveys Latin America’s vibrant experimental production from the 1930s through today. Revisiting classic titles and introducing recent works by key figures and emerging artists, Ism, Ism, Ism takes viewers on a journey through a wealth of materials culled from unexpected corners of Latin American film archives. Key historical and contemporary works from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, México, Paraguay, Perú, Uruguay, Venezuela, Puerto Rico and the United States will be featured. Many of the works in the series are largely unknown in the United States and most screenings will include national and area premieres, with many including Q&A discussions with filmmakers and scholars following the screening. The film series will continue through January 2018 at multiple venues, organized by Filmforum. www.ismismism.org
Ism, Ism, Ism is accompanied by a bilingual publication, Ism, Ism, Ism / Ismo, Ismo, Ismo: Experimental Cinema in Latin America (Jesse Lerner and Luciano Piazza, editors, University of California Press, 2017) placing Latino and Latin American experimental cinema within a broader dialogue that explores different periods, cultural contexts, image-making models, and considerations of these filmmakers within international cinema. Available worldwide, https://www.ucpress.edu/book.php?isbn=9780520296084.
Ism, Ism, Ism is part of Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Explore more at www.ismismism.org, lafilmforum.org, and www.pacificstandardtime.org.
Lead support for Ism, Ism, Ism is provided through grants from the Getty Foundation.
Significant additional support comes from the Andy Warhol Foundation for Visual Arts, the National Endowment for the Arts, and the Mike Kelley Foundation for the Arts.
Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.
This program is supported by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission; the Department of Cultural Affairs, City of Los Angeles. We also depend on our members, ticket buyers, and individual donors.
Los Angeles Filmforum is the city’s longest-running organization dedicated to weekly screenings of experimental film, documentaries, video art, and experimental animation. 2017 is our 42nd year.
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